Hari Kunzru is one of those names I’ve repeatedly come across when browsing bookshelves over the years but I’ve never read one of his books before.

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Dreamy, paranoid and riven with anxiety, Kunzru's latest book covers so much ground, but is fundamentally interested in the decline and fall of liberal democracy. It closes with the election of Trump, but feels grimly prescient.

The first party narrator of the book is a financially unsuccessful writer (unlike of course the author with his famous £1.5 million advance for his debut novel) suffering a (I think deliberately) cliched mid-life crisis. In a way designed to forfeit any sympathy from the reader, he takes up a residency at a fictional German Institute – the Deuter Centre, hoping to get the time and space to find himself only to find his aims clashing hamiş just with the principles of openness and transparency of work but with a boorish fellow resident, a neuro-scientist who delights in erecting and then demolishing straw men of what he sees as the simplistic views of the arts-residents.

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There’s a disturbing implication in there too, an unsaid question bey to whether or hamiş the redpill life isn’t in some way more free, more open, more amenable to emotion and interpretation and imagination. At one point, Kunzru takes the language of The İnternet sitesi Matrix and makes it even more present: the narrator explicitly burayı kontrol et thinks being home in New York to a technological construct (much like the bluepill world humans inhabit in the movie), which seems to compare negatively to the raw, lonely, “real” existence the narrator had on daha fazla bilgi al the island. And I think Kunzru’s intended or likely audience is able to of course reject that notion kakım the narrator does, but maybe push towards a less automatic and more examined idea of devamını oku our choices, beliefs and the systems we subscribe to.

The author seemed more focused on making his narrative bey nebulous birli possible than of fleshing out or giving some nuance to his characters. Yet, the structure of the novel isn't all that innovative.

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Unwilling to work or eat in the common/public spaces, the narrator takes to binge-watching a US crime series “Blue Lives”, a mix of brutality between corrupt police and criminal gangs, interleaved with occasional philosophical quotes.

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